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Making Musical History Through Instruments,
the story of Musical museums in the UK
Helene La Rue
“Noah was the first collector, Adam had given names to the animals, but it fell to Noah to collect...
Francesco’s Dream: Musical Logic in Landini’s Three-Voice Ballate
Landini ballata medieval music William of Ockham
2010/3/24
Francesco Landini composed a dream-vision in Latin verse, in which he evinces intimate knowledge of works by the logician William of Ockham. Exploring the logic aspect of the dream-vision, as opposed ...
《民族音乐学理论与方法〉之von Hornbostel, Erich M. and Sachs,“Classification of Musical Instruments”
理论与方法 民族音乐学
2008/5/28
《民族音乐学理论与方法》（一）
时间：2007-11-21；地点：E研究院512室
授课教师：曹本冶教授
主讲报告人：石磊
von Hornbostel, Erich M. and Sachs, Curt. 1992 [1914]. “Classification of Musical Instruments,” in Ethnomusicology: An Introduction. N...
Commentary on David Huron’s “On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts”
Bach chorales embellishment tones perceptual segregation
2010/9/26
In his article ‘On the Role of Embellishment Tones in the Perceptual
Segregation of Concurrent Musical Parts’, David Huron (2007) takes four metrics
known in the psychological literature to affect p...
On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts
voice-leading auditory streams figuration tones non-chordal tones
2010/9/26
An analysis of 50 chorale harmonizations by J.S. Bach shows that the
use of embellishment tones is consistent with several principles known to contribute to
the perceptual segregation of auditory st...
Language Plots in Musical Spaces: A Response to Adams Bodomo and Manolete Mora
West Africa song dance story oral culture Dagaare Dagaaba bawaa
2010/9/26
The commentary begins with by briefly reviewing UNESCO’s activities in
the documentation, preservation, and dissemination of cultural traditions worldwide, and
particularly in sub-Saharan Africa. Su...
The Kodály Musical Training Institute（KMTI）（图）
The Kodály Musical Training Institute Kodály musical 音乐 KMTI
2007/12/25
The Kodály Musical Training Institute (KMTI) was established in September 1969 through a $184,000 Ford Foundation grant, in Wellesley, Massachusetts, as the result of Denise Bacon’s 1967-68 year of st...
10 May 2007，PhD student Josephine Yannacopoulou undertook the reconstruction of the gigue, that has a violin-like shape and is played on the lap with a long, curved bow.The exact origins of the gigue ...
April 23, 2007，LAWRENCE — The University of Kansas Department of Theatre and Film and Headmasters salon will present “Colors,” a benefit for the Douglas County AIDS Project, on Sunday, May 6. Performa...
The Cyber Encyclopedia of Musical Theatre, TV and Film（图）
The Cyber Encyclopedia of Musical Theatre TV and Film 音乐剧 剧本
2007/12/25
Through the 1980s and 90s, John Kenrick enjoyed an extensive career in theatrical production and management. He was personal assistant to six Tony-winning producers, working on such productions as the...
Local to global musical initiative
Music
2007/3/19
15 March 2007，Girma Yifrashewa – whose work emphasises the interpretation of romantic and impressionist repertoires, especially the piano works of Schumann, Schubert and Debussy – will play his own co...
Commentary on "The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside of the Western Musical System" by Bischoff Renninger, Wilson, and Donchin
pitch scale ERP enculturation
2010/9/26
Electrophysiological measures of expectancy violation processing by the
brain, such as the P300 component of the event-related potential, have provided insight
into the way in which humans with vary...
The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside the Western Musical System
music scale ERP event-related potential tuning interval enculturation
2010/9/26
The current study extends the efforts of Bischoff Renninger, Granot and
Donchin (2003) to non-Western musical systems and focuses specifically on Event-
Related Potential (ERP) responses to scalar d...
Commentary on “The Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages” by David Huron, Daryl Kinney, and Kristin Precoda
expressive size symbolism motivation-structural rules pitch loudness
2010/9/26
Increasingly, the Arts and Humanities and Science fields are finding
common ground, as illustrated in Huron et al.’s fine paper. My commentary discusses
the origin of the idea that pitch and motivat...
Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages
music prosody pitch height emotion threat aggression timidity
2010/9/26
Bolinger, Ohala, Morton and others have established that vocal pitch
height is perceived to be associated with social signals of dominance and submissiveness:
higher vocal pitch is associated with s...