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In 1944, the Jewish Publication Society of America printed a slim volume by A. M. Klein with the simple title of Poems. The first third of this collection is a series of thirty-six poems called “The P...
Hath Not a Jew, A.M. Klein's first volume of poetry, invites a reassessment of the poet's treatment of his Jewish roots. Despite the generally accepted view of Klein as a poet whose interests focus pr...
"Virtuosity in language," Miriam Waddington declares, is "an obvious fact" in the poetry of A.M. Klein (111). Perhaps because it is so obvious, Klein's "virtuosity in language" has been a fact that m...
Details of A.M. Klein's interactions with the John Simon Guggenheim Foundation1 are confusingly reported by Usher Caplan in Like One That Dreamed. According to Caplan, Klein was encouraged by A.J.M. S...
The vast range of allusions in A.M. Klein's "Portrait of the Poet as Landscape" reveals Klein as a poet clearly engaged with literary history and the modern poet's place within the literary tradition....
In 1948 the Jewish-Canadian poet A. M. Klein published a review in verse form of Ezra Pound’s Cantos that was at once a homage and a parody. The idea for this poem entitled "Cantabile" may have origin...
钢琴家Andreas Klein主页,网站主要包括在线收听、评论文章、新闻等。
I shouldn't be in Canada at all. Winter is all wrong for me. I belong beside the Mediterranean. My ancestors made a terrible mistake. But I have to keep coming back to Montreal to renew my neurotic af...

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