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In January 2000, I organized a spoken word cabaret called Choice Words for the Rock for Choice Festival in Vancouver. One of the invited guests for the show was Lynn Breedlove, lead singer/front-man f...
If Anurima Banerji’s Night Artillery may be viewed as an exploration of some of the contours and textures of South Asian Canadian queer bodies, desires and poetics, then this book poses an important q...
This collection of fifteen essays focuses upon a range of films that invites the question as to how each contributor understands the rubric of both "queer" and "British". As Kenneth MacKinnon observes...
An anthology containing articles published in Screen beginning around 1990, Queer Screen seeks to narrate the journal's own history within queer film studies, the discipline that emerged with B. Ruby ...
Lee Edelman's new book is not principally a work of film studies. Nonetheless, there are several reasons why this brilliantly argued and overtly polemical book should be brought to the attention of th...
The Mexican New Wave film Amores perros (2000) directed by Alejandro González Iñárritu was an international commercial success and was highly acclaimed by critics. Even though it has been exten...
FROM HIS SEAT on a box in the rough board shed that stuck like a burr on the rear of Cowley & Son`s store in Winesburg, Elmer Cowley, the junior member of the firm, could see through a dirty window in...
The debate over linguistic reclamation, the appropriation of a pejorative epithet by its target(s), is generally conceived of as a simple binary of support and opposition. I offer an alternative conce...

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